Free Ebook Body Horror: Capitalism, Fear, Misogyny, Jokes, by Anne Elizabeth Moore

Free Ebook Body Horror: Capitalism, Fear, Misogyny, Jokes, by Anne Elizabeth Moore

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Body Horror: Capitalism, Fear, Misogyny, Jokes, by Anne Elizabeth Moore

Free Ebook Body Horror: Capitalism, Fear, Misogyny, Jokes, by Anne Elizabeth Moore

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Review

"Sharp, shocking, and darkly funny, the essays in [Body Horror] ... expose the twisted logic at the core of Western capitalism and our stunted understanding of both its violence and the illnesses it breeds [...] Brainy and historically informed, this collection is less a rallying cry or a bitter diatribe than a series of irreverent and ruthlessly accurate jabs at a culture that is slowly devouring us."―Publishers Weekly, starred review“Probing her own experiences with disease and health care, Anne Elizabeth Moore offers scalpel-sharp insight into the ways women's bodies are subject to unspeakable horrors under capitalism.”―Chicago Tribune"As the subtitle promises, this essay collection by award-winning journalist and Fulbright scholar Anne Elizabeth Moore tackles heavy, complicated issues with biting humor and aplomb, dissecting the ways patriarchal capitalistic trauma plays out on women’s bodies and health, both mental and physical. From her keen observations on the 2010 Cambodian garment worker strike and its resulting massacre to her vulnerable, often hilarious insights on the maze of current American healthcare and her own varied ailments, Moore writes with spark and verve."― Lydia Melby, Texas Book Festival Praise for Anne Elizabeth Moore:“Anne Elizabeth Moore lets readers peer over her shoulder as she attempts the implausible. It turns out, the implausible is hard, and funny, and tragic, and illuminating, but once you sign up for the journey she never lets you look away. After reading what this woman accomplished in a few months, you might ask yourself some hard questions about how you spent last summer...” ―Glynn Washington, NPR’s Snap Judgment"[New Girl Law is a] post-Empirical, proto-fourth-wave-feminist memoir-cum-academic abstract [that] makes our country’s Mommy Wars look like child’s play―and proves … why we should be paying attention to Cambodia’s record of human rights and gender equity.” ―Bust Magazine"Sharp, shocking, and darkly funny, the essays in [Body Horror] ... expose the twisted logic at the core of Western capitalism and our stunted understanding of both its violence and the illnesses it breeds [...] Brainy and historically informed, this collection is less a rallying cry or a bitter diatribe than a series of irreverent and ruthlessly accurate jabs at a culture that is slowly devouring us."—Publishers Weekly, starred review“Probing her own experiences with disease and health care, Anne Elizabeth Moore offers scalpel-sharp insight into the ways women's bodies are subject to unspeakable horrors under capitalism.”—Chicago Tribune"As the subtitle promises, this essay collection by award-winning journalist and Fulbright scholar Anne Elizabeth Moore tackles heavy, complicated issues with biting humor and aplomb, dissecting the ways patriarchal capitalistic trauma plays out on women’s bodies and health, both mental and physical. From her keen observations on the 2010 Cambodian garment worker strike and its resulting massacre to her vulnerable, often hilarious insights on the maze of current American healthcare and her own varied ailments, Moore writes with spark and verve."— Lydia Melby, Texas Book Festival Praise for Anne Elizabeth Moore:“Anne Elizabeth Moore lets readers peer over her shoulder as she attempts the implausible. It turns out, the implausible is hard, and funny, and tragic, and illuminating, but once you sign up for the journey she never lets you look away. After reading what this woman accomplished in a few months, you might ask yourself some hard questions about how you spent last summer...”—Glynn Washington, NPR’s Snap Judgment"[New Girl Law is a] post-Empirical, proto-fourth-wave-feminist memoir-cum-academic abstract [that] makes our country’s Mommy Wars look like child’s play—and proves … why we should be paying attention to Cambodia’s record of human rights and gender equity.”—Bust Magazine

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About the Author

Anne Elizabeth Moore is the author of Unmarketable and Cambodian Grrrl, co-editor and publisher of the now-defunct Punk Planet, a founding editor of Best American Comics, a Fulbright scholar, former UN Press Fellow, and USC Annenberg/Getty Arts Journalism Fellow. She lives in Chicago.

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Product details

Paperback: 300 pages

Publisher: Curbside Splendor Publishing (May 9, 2017)

Language: English

ISBN-10: 1940430887

ISBN-13: 978-1940430881

Product Dimensions:

5.2 x 0.8 x 8.2 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#278,116 in Books (See Top 100 in Books)

Under the heading of “body horror,” the amazing Anne Elizabeth Moore brings together at least three things. I’ll list them in increasing order of general interest.--Body horror is a subgenre of horror, especially in film. You may have seen it in David Cronenberg movies, but it’s been taken to other kinds of peaks and depths in indie releases. A lot of that stuff is too gruesome even for me, but Moore pulls off feminist reads of it. Not just critiques from a feminist perspective, but arguments that some of the filmmakers are, knowingly or not, making feminist art.--Body horror is what Moore endures as a person with autoimmune diseases. She writes powerfully about being ill among friends, ill seeking healthcare, ill in the United States.--Body horror, most broadly, is what's dished out to women: it's alienation from the body, exploitation of the body, contempt toward the body. Body horror pervades our social and material transactions so fully that there’s almost no topic to which it’s not germane.In one essay, Moore discusses the shabby treatment of fashion models, drawing parallels between them and the Cambodian women who make the clothes—and Moore has the cred to do that, because she’s lived in Cambodia and she knows those women well. By the end of the essay, you see the factory, the fashion runway, and the sales outlet in the same dreary light.In other essays, Moore assays the works of Margaret Atwood, Lars von Trier, the standardizers of time, and the makers of tampon-disposal bags. Her reach is wide and her grasp is good.Also, she’s funny and she’s not misanthropic or joyless, even though her topics give her reasons to be. Horror from Moore is a pleasure.

I am going to go ahead and judge this book by its cover because are you kidding me? The cover is the kind of NC-17 image that would keep this book off the end caps at the local Bunns & Noodles or Boredoms bookstore. For a book titled "Body Horror" what is more appropriate than a male/female conjoined twin with a bleeding amputated phallus and a gushing menstrual flow and a nosebleed and three saggy mammary glands also dripping blood?The image on the cover is both humorous in its way and off-putting and more than a little squirmy. It's gross. And often that's exactly what the essays inside are like. Be clear: except for the title and the introduction, the topic of "body horror" the film genre is in extremely short supply. Thankfully.Like the average body horror film, what you get here is often uncomfortable, often visceral, and sometimes a bit gross. But Anne Elizabeth's essays aren't just written for the shock value. They are powerful writing, well-researched, personalized, and topical in ways that aren't always obvious at first. The focus of the essays is… women. Sometimes very specific women (maybe even just the author herself). Sometimes "all" women (insofar as there can be such a thing as a statement that applies to all women). If you are a woman, or just a woman-enthusiast, and want to scare yourself a little, this is the perfect book, since (like I said) the title is a jumping off point to a collection of essays about women.After all, why write much about "The Fly" or "Alien" when the average woman does, in fact, grow a being inside of her, risking possible death and much pain. Pregnancy is terrifying. The fetus is not in charge. The mother is not in charge. The changes will happen and the dangers are incredible. And for women who have decided that they are not so interested in becoming mothers, a whole different set of horrors awaits. Even the kindest of friends turn into torture artists when the topic of being a lifelong non-mother arises. As Anne tells us so eloquently in the chapter "Cultural Imperative".And is a little splattered blood supposed to scare a woman, these creatures who bleed once a month and don't die? I doubt it. Apparently so does Anne. Truly horrible, however, is the modern industrial treatment of menstruation, covered in the chapter titled "The Shameful Legacy (and Secret Promise) of the Sanitary Napkin Disposal Bag".How about the zombie apocalypse, in which a deadly superbug turns all your friends and relatives into brain-eating monsters? Pfft! Why wait for outside invaders to harm you, when your own body can be so easily lead to attack itself? I'm middle-aged myself, and suffered spring time allergies for the first time in my life this year. Miserable. I spent too many hours in bed and took plenty of medication because my body was fighting off… nothing? That's a little scary, but really just the tip of the iceberg. The topic of autoimmune disorders is well-discussed in "Body Horror" and I sure hope I've seen the worst of it myself, because Anne's own experience and the experience she relates of many, many others make it clear there is a tremendous potential for autoimmune disorders to destroy our lives and that reliable medical help (especially in the USA) is a long ways off.Anyway, enough. READ THIS BOOK NOW. You will learn something. You will be entertained. You will have the feelings of dread, fear, sorrow, anger, hope, and more. The only thing wrong with this book is that there is not a secret key at the end which will unlock a fully interactive, annotated online version of the book. Because you will have questions, you might want to talk specifically about one piece of this book more, you might just be interested in a complete bibliography, you might think it would be helpful to see photos or drawings (and not just the fun drawings that adorn each chapter separator page). This is the type of book that would form the perfect basis for a seminar class in any number of major programs or graduate degrees. There is something for everyone in here.

as a person interested in social sciences and the subjects of public health i found the essays in this book extremely interesting and with a lot of thought put into them,along with emotion. some of them are really brutal and frank...her writing about personal experiences with health,particularly autoimmune diseases,is part of the body horror in this book.not for the squeamish,unless you are like me and your interest in learning about these things outweighs the squeamishness.in general,though i have a very dark sense of humor,i did not find a lot of what i considered humorous in this book,but it did not detract as i was not reading it for laughs. good to know though,that as the thought of superbugs stresses me out,since i have an autoimmune disorder or two or three...it's hard to get diagnoses with little money,energy, and just basic medicare,but i do know i have hashimoto's autoimmune thyroiditis...it is likely that my body will do a good job of attacking those superbugs just as it is doing a good job of attacking me,so i have an advantage there,as it were.i am looking forward to seeking out and reading more by this author,and i am grateful that it was purchased by my library so that i could read it. if you can afford it,i think it is well worth paying for a copy of this to support this author and her writing.

Anne connects the anecdotal to the empirical in a way I've seen seldom writers do. Whereas some male writers simply stick to jargon and some female writers to emotion, Anne blends both modes of reporting seamlessly without being overly sentimental. In the words of Chris Abani, Anne, through her own medical diagnosis, has learned to cry but not to die of heartbreak. Through an intimate portrayal of her own health, Anne exposes our flawed healthcare system and its favorite bedfellow, capitalism.

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