Download Henry Taylor
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Henry Taylor
Download Henry Taylor
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Review
"Taylor shows “black history the way many black people actually experience it,” Smith writes." —New York Times Book Review"OVERFLOWING WITH MORE THAN 200 IMAGES, this new monograph documents the practice of Henry Taylor, the Los Angeles artist known for his bluesy approach to abstract figuration. It’s a wonderful book and a genuinely good read. The first major volume to survey his career, “Henry Taylor” offers five ways of looking at the artist—through full-color illustrations of his works, mostly paintings and some sculptures and installations; handwritten notes and jottings interspersed throughout the pages that capture his momentary thoughts; an interview conducted by fellow Los Angeles artist Charles Gaines; and essays by Harvard University art historian Sarah Lewis, acclaimed British author Zadie Smith, and 2018 Pulitzer Prize-winning essayist Rachel Kaadzi Ghansah. A testament to their readability (and Taylor’s relatability), two of the essays were published in magazines intended for general audiences in advance of the book’s release. Smith’s distillation appeared in The New Yorker and Ghansah’s feature profile was included in New York magazine." —Culture Type
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About the Author
Rachel Kaadzi Ghansah is an essayist and critic whose writing has appeared in the Paris Review, New York Times Magazine, New York Observer, Bookforum, and Rolling Stone. Ghansah has drawn particular recognition for her longform profiles of subjects like Kendrick Lamar and Toni Morrison. Zadie Smith FRSL is an English novelist, essayist, and short-story writer. Smith has won the Orange Prize for Fiction, the Anisfield-Wolf Book Award, and her novel White Teeth was included in Time magazine's list of the 100 best English-language novels from 1923 to 2005. Sarah Lewis is Assistant Professor of History of Art and Architecture and African American Studies at Harvard University.Charles Gaines is highly regarded as both a leading practitioner of conceptualism and an influential educator at the California Institute of the Arts. Gaines's work has been exhibited internationally, including Museum of Contemporary Art, L.A., the Hammer Museum, The Studio Museum in Harlem, and the 56th Venice Biennale.
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Product details
Hardcover: 320 pages
Publisher: Rizzoli Electa (October 9, 2018)
Language: English
ISBN-10: 0847863107
ISBN-13: 978-0847863105
Product Dimensions:
10.3 x 1.5 x 12.4 inches
Shipping Weight: 5.7 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#82,027 in Books (See Top 100 in Books)
This is a beautiful coffee table book. Good quality.
Best book I’ve ever bought!
An amazing and much needed monograph on this incredible artist. The quality of this book is second to none. Thick and glossy pages, all full color illustrations with over 150 works shown of Taylor’s. Hurry up and buy before it goes up in price!
5. Henry Taylor – 2018 with essays by Zadie Smith, Sarah LewisThe production quality of this book is high, it runs to 320 pages contained within strong hardback covers.Zadie Smith’s essay situates Taylor’s work in contemporary African American culture and focuses on the difficulties facing black artists today. Sarah Lewis takes this a step further and focuses on how today’s racial tensions have influenced Henry Taylor’s painting in terms of subject matter.The interview with the artist Charles Gaines did not focus as much on studio practice and art making as I would have liked. Taylor has a distinct painterly style and a recognizable palette but Gaines did not want to focus on the art. On page 67 Gaines says,“You’re bringing it back into the realm of art again. I was trying to stay outside of art.â€He could have enquired about paint handling, composition and color, but he didn’t. I felt that, in some ways, Gaines hi-jacked the discussion and directed Taylor to reiterate what had already been said in the essays about subject matter. The interview section has some puzzling large white spaces on pages 69 and 78, which may be layout mistakes.Gaines holds forth on the controversy with Dana Schutz at the Whitney and rather eclipses the man he is supposed to be talking to. This book could do with some information and photos on how Taylor makes art as well as why. He almost seems absent from his own book. It’s odd.The third essay by Kaadzi Ghansah goes over the same ground and the total effect for me was that although the plates are sumptuous, the writers have somewhat short-changed the artist.There are very few people who can write about art in a knowledgeable way. It needs a leap of faith into another’s world. It requires humility and generosity and formidable powers of analysis. If you want to read good work then look at Mark Doty in Still Life with Oysters and Lemon, Peter Schjeldahl in the New Yorker, Charlotte Mullins in Painting People: Figure Painting Today and of course Robert Hughes in Shock of the New. They’ve all spent time acquiring the skills to respond to art and they can guide us into a deeper understanding.There are far too many writer-curators with PhDs rushing around burping up art theory, leaving them no time to respond to the paintings. It’s a shame.I am not saying don’t buy the book. Buy the book, for the art, not for the writing. Henry Taylor is a very talented artist. Leave a review on Amazon. Tell them that we want better writing about art.
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