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, by J. Michael Barrier
Download PDF , by J. Michael Barrier
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Product details
File Size: 6417 KB
Print Length: 670 pages
Publisher: Oxford University Press; 1 edition (November 6, 2003)
Publication Date: November 6, 2003
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B004TFXRHU
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Covering much of the same ground as Leonard Maltin's Of Mice and Magic, Hollywood Cartoons is packed with interesting insights and comments from both the author and those that participated in the creation of an American art form. Michael Barrier's exhaustively researched book covers the Golden Age of Hollywood animation and the movers and shakers that had an impact on the art form.At nearly 650 pages Barrier's book takes a fair balanced look at Disney, Warner Bros., Fleischer and other contributors to this dying art form. It's actually a perfect companion piece to the newely released boxed set of Warner Bros. Looney Tunes classics. Barrier avoids the Disney worship that marred other books of this type and, like Maltin's marvelous but less indepth book, he manages to point out the key contributions of the most important animation directors/producers of the era.While it does overlook or give only a cursory overview of some important figures in the industry, Barrier's scholarly aproach manages to recognize the merits and flaws of each studio, their system and directors. Although not as well illustrated as Maltin's book, the pictures do provide a glimpse of many of the essential classics that impacted the art of animation. Since much of the documentation for the creation of some of the early Warner classics are long gone, Barrier has to rely on many of the same sources and pictures as other authors. The book could have been improved if he had gone more to private collectors for rare animation cels, production photos, model drawings and notes. I also would have liked many of these illustrations to be reproduced in color. Seeing them in dark black and white illustrations does little justice to the artistry of these pioneers.Maltin's book was clearly the work of an informed fan; his approach focused on the creation of many of the important classics but didn't lose track of the fun in the finished product. Barrier's scholarly approach is a bit drier and doesn't quite communicate the excited of Maltin's less authoriative book on the same subject. It's still an important look at the pioneers of animation's Golden Age and, as such, should be read by those who love the shorts from the various eras examined here.
There is not a better or more complete survey of American cartoons on the market. Michael Barrier brings a lifetime's gather of information and interviews to this definitive telling of animation's Classic Era history. As reference or pure enjoyment, "Hollywood Cartoons" is without peer. It is an absolute must for bookshelves of anyone who grew up with cartoons, whether in theaters, on TV, or as home video collections. As to the latter, I'd propose "Hollywood Cartoons" as ideal companion for watching Looney Tunes on DVD, or Popeye, the Disney classics --- whatever your choice. Michael Barrier gives a fullest background and inside account of how these cartoons were made and the artists in back of them, his the final word on animation in its glory day.
Michael Barrier really does his homework when it comes to researching the history of animation. This is a result of years of dedicated research. While it is true that it talks more about Disney than the other studios, this shouldn't be surprising since Disney has the best track record for preserving their history than the other studios have and they've enjoyed a longer legacy as well. Another factor is that Barrier himself said that he was only able to use only a fraction of the most interesting information he had. Barrier's writing is filled with facts that aren't found anywhere else all in a smooth and engaging narrative, complete with plenty of footnotes. Much of the information comes from interviews that Barrier conducted over the years with hundreds of people who worked in the industry. Some of these are available on his website. He posts more of them from time to time. Some fans complain that he inserts his opinions on the films. This is true, but they are based on keen observations and facts, which provide a valuable perspective on the films.This is a must read for the animation enthusiast
Hollywood Cartoons is an outstanding piece of work. Barrier is both thorough and opinionated -- which I consider a good thing. If you're writing a nonfiction book, don't just give me the facts, tell me what you think."Cartoons" was one of the sources for my own book, An Animation Miscellany. I have dozens of books on classic hand-drawn animation and only a few are worthy of being used for research. Hollywood Cartoons is on that short list.
This is really a history of Disney animation in the 30s, with a few random comments about competitors.
Books on the history of animation, especially the early ones, tend to fall into the trap of Disney-worshipping, which Barrier thankfully avoids. However, in his zeal to prove he is not Disney's lap dog, he unfairly bashes some of the studio's features (including one I consider on a par with the best of them, "Lady and the Tramp.") He gives the same slash-and-burn treatment to the Warner Bros. studio--Clampett, in his view, was apparently nothing more than a second-rate hack, when Clampett in fact hit a period of sheer brilliance in the early to mid forties. "Book Revue", "The Great Piggy Bank Robbery", "The Old Grey Hare" and "Baby Bottleneck" were all Clampett creations, and occupy many of the top slots in Jerry Beck's book "The Fifty Greatest Cartoons Ever." Barrier dismisses them all, as well as Clampett's abilities as a draftsman. I would say he is partial to Jones in his longtime feud with Clampett, but Jones falls victim as well. Still, it is worth reading if you like behind-the-scenes stories of the animation industry.
I read somewhere recently that Michael Barrier worked on this book for almost thirty years, and I believe it. It is an awesomely complete, well documented, reader-friendly history, and Barrier clearly understands what makes animation works for audiences. He even references the writings of acting master theorist Constantin Stanlisvski! If you're interested in animation history, or even American history, this is a must-read.
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